In the most recent series, the paintings have varied from realism/impressionism to the edge of surrealism. Maybe not surreal in the traditional sense but maybe a precursor to images to come where realism takes less importance than the atmosphere or the texture. I have started images dealing with perspectives-the viewer is forced to see a moon scene looking up a tree instead of a realistic night sky. I want the viewer to feel a bit on the edge of reality and the thought of place and circumstance.
In the terns, I wanted the viewer to get the idea of place by the terns and see the ocean breakers in a different way. Another image that is included in this grouping is a pastel which I haven't recently included in the recent series-an evening in a park with the hyper lighting of lamp posts. Again the idea is more the feeling and texture of the scene, I want the viewer to find themselves in a place they have seen before but to see it in a different way.
Back to the idea of surreal, I have always wanted to paint what was somewhat haunted, a pastoral scene that didn't seem all that comfortable but the viewer has a problem putting their finger on why.
I see figures in the future images that might not have their place or perhaps give the viewer pause to explain why the figure exists in the scene whether it be a ghost or just an image that doesn't fit in the scene.
|The Lamp Posts|
I am excited about new paintings because I have never felt so clear on the final mechanics than I have in recent paintings. The painting called Moon flower shows the moon from the bottom of a tree looking up-the detail in the flowers were very clear, what was left with less detail made itself clear immediately. Another good aspect of the final product being so clear is the fact that the recent paintings have taken a month as opposed to years as previously.
My question to artists, photographers and just creatives in general-when did you finally feel like you had discovered your style, where mechanics of your images become clear and concise?